Information
Artist – Deicide
Album – Once Upon the Cross
Label – Roadrunner Records
Released – April 17th, 1995
Type – Full-length
Genre – Death Metal
Additional
Notes
Overview
Once upon the Cross is the third studio album by American death metal band Deicide, released on April 17, 1995, through Roadrunner Records. Featuring nine tracks characterized by aggressive riffing, blast beats, and overtly blasphemous lyrics targeting Christianity, the album solidified Deicide's reputation for Satanic themes and confrontational style within the death metal genre. Produced by Jim Morris at Morrisound Recording, it includes standout songs such as the title track "Once upon the Cross," which mocks the crucifixion of Jesus, and "Kill the Christian," emphasizing anti-religious sentiments. The album received mixed reviews, with some critics and fans praising its intensity and others critiquing deviations from the band's earlier raw sound, though it remains a benchmark for extremity in extreme metal.
Production History
Background and Context
Deicide, formed in Tampa, Florida, in 1987 by vocalist/bassist Glen Benton alongside guitarists Eric and Brian Hoffman and drummer Steve Asheim, had solidified its core lineup following the release of their second album, Legion, in 1992. This stability allowed the band to build on the technical and aggressive style established in their self-titled debut, positioning them as key players in the burgeoning Florida death metal scene.
Roadrunner Records sought to capitalize on the band's momentum during the mid-1990s surge in death metal's underground appeal, retaining the unchanged lineup to ensure continuity.
Recording Process
Recorded and mixed at Morrisound Recording during 1994, production credits were shared between the band and engineer Scott Burns, who oversaw the sessions to achieve a dense, aggressive sound through precise layering of distorted guitars and percussion.
Key to the recording's intensity were Asheim's double-bass drumming patterns and structural stability despite budgetary and timeline limits. This allowed them to complete principal tracking and mixing in a compressed period without significant technical accidents, allowing iterative riff refinement over extensive overdubs.
Musical and Thematic Elements
Style and Instrumentation
The album adheres to core guitar-centric instrumentation. The production exhibits enhanced clarity in guitar tones and drum separation relative to their debut, resulting in empirically heavier riff stacking.
Lyrics and Blasphemous Content
Authored primarily by Benton, the lyrics form a cohesive assault on Christian theology, systematically inverting scriptural narratives to elevate satanic rebellion. Motifs of crucifixion mockery and divine betrayal intensify the stance against Christianity, viewing moral hierarchies as antithetical to individual sovereignty and rooted in historical fabrications.
Release and Commercial Aspects
Promotion and Distribution
Released on April 18, 1995, primarily in CD format for distribution within the underground death metal scene via specialty retailers. Promotion emphasized Satanic controversy and leveraged the band's uncompromising stance.
Chart Performance and Sales
The album debuted on the Billboard Heatseekers chart, reaching position 23 in early May 1995. It sold approximately 1,000 copies in its first week, reflecting the niche appeal of underground markets. By March 2004, SoundScan reported total U.S. sales of 86,895 units. The release solidified the band's position, evidenced by modern reissues.
Critical Reception
Some listeners compared it unfavorably to Legion, dismissing repetitive riff patterns and short track lengths as monotonous. Initial listeners expecting technical evolution expressed disappointment in the simplified, groove-oriented approach.
Long-Term Evaluations
Retrospective analyses reveal polarized opinions. Enthusiasts credit its role in solidifying the Florida scene's raw sound, while detractors view it as an early harbinger of mid-tempo repetition. Platforms like Encyclopaedia Metallum show an average 80% approval, praising heavy riffs as an entry point with enduring playback value amid lineup instability.
Controversies and Backlash
Religious and Cultural Objections
The release intensified criticisms from Christian organizations, who viewed the cover art and lyrics as deliberate desecrations promoting Satanism. Groups like the American Family Association condemned the record for allegedly inciting public denunciations.
Benton and bandmates maintained the content constituted artistic expression and a critique of historical abuses by organized religion, emphasizing First Amendment protections. Benton later clarified the inverted cross represented rebellion against perceived hypocrisy.
Intra-Metal Community Disputes
The album exacerbated ideological tensions between death metal and the Norwegian black metal contingent, who prioritized atmospheric occultism over technical precision. Figures like Euronymous critiqued the genre's polished production and major label associations as compromising death metal.
Reissues and Enduring Appeal
In January 2023, Once Upon the Cross was reissued as a two-disc set paired with Serpents of the Light, featuring remastered tracks that improved audio clarity. This edition, released by Snapper Music, catered to collectors. The album's enduring appeal stems from its status as a live staple, demonstrating sustained fan demand for its blistering riffs and anti-religious themes into modern tours.
Videos
Once Upon the Cross (Live at Rescoue Rooms, 2002)
Interview + Once Upon the Cross, Australia 1995
They Are The Children Of The Underworld (When London Burns, 2004)
Trick or Betrayed (Live Montreal, 1995)
Kill the Christian (When London Burns, 2004)
Trivia
- The intro samples in tracks 1 & 5 were taken from the 1988 film The Last Temptation of Christ.
Recording
Produced by Deicide and Scott Burns.
Recorded and mixed at Morrisound Recording, Tampa, FL.
Mastered at Sterling Sound, New York, NY.
All music written by Deicide.
Identifiers
Barcode: 016861894924
Matrix / Runout (variant 1): SONOPRESS K-5562/ RR89492 A DS3
Mastering SID Code (variant 1): IFPI L023
Mould SID Code (variant 1): IFPI 0776
Matrix / Runout (variant 2): SONOPRESS K-5562/ RR89492 A DS3
Mastering SID Code (variant 2): IFPI L023
Mould SID Code (variant 2): IFPI 0710
Matrix / Runout (variant 3): SONOPRESS K-5562/ RR89492 A DS3
Mastering SID Code (variant 3): IFPI L023
Mould SID Code (variant 3): IFPI 0736
Matrix / Runout (variant 4): SONOPRESS K-5562/ RR89492 A DS3
Mastering SID Code (variant 4): IFPI L023
Mould SID Code (variant 4): IFPI 0709
Label Code: LC 9231
Rights Society: STEMRA
Tracklist
1. Once upon the Cross – 03:35 >
2. Christ Denied – 03:39 >
3. When Satan Rules His World – 02:55 >
4. Kill the Christian – 02:58 >
5. Trick or Betrayed – 02:24 >
6. They Are the Children of the Underworld – 03:09 >
7. Behind the Light Thou Shall Rise – 02:57 >
8. To Be Dead – 02:39 >
9. Confessional Rape – 03:53 >
Total length: 28:09
Band Members
Glen Benton – Vocals, Bass, Lyrics
Eric Hoffman – Guitars
Brian Hoffman – Guitars
Steve Asheim – Drums
Miscellaneous Staff
George Marino (R.I.P. 2012) – Mastering
Alex McKnight – Photography (photos)
Glen Benton – Art direction
Scott Burns – Producer, Engineering, Mixing
Eric Hoffman – Logo
Trevor Brown – Illustrations